Diana Ross & the Supremes Sing and Perform "Funny Girl" | ||||
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Studio album by | ||||
Released | August 26, 1968 | |||
Recorded | 1968 | |||
Genre | ||||
Label | Motown | |||
Producer | ||||
Diana Ross & the Supremes chronology | ||||
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Review scores | |
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Source | Rating |
Record Mirror | [1] |
Diana Ross & the Supremes Sing and Perform "Funny Girl" is the thirteenth studio album released by Diana Ross & the Supremes on the Motown label, released in 1968. Berry Gordy had Diana Ross & the Supremes cover the songs from Barbra Streisand's Broadway musical Funny Girl original cast LP to tie-in with the September release of the feature-film version of the musical, also starring Streisand. [2] The LP was not a success, and, with a Billboard 200 peak of 150, ranks as the lowest-charting of the Diana Ross-led Supremes albums.
All tracks written by Jule Styne and Bob Merrill. All tracks produced by Berry Gordy and Gil Askey.
Side One
Side Two
Chart (1968) | Peak position |
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US Billboard 200 [3] | 150 |
US Top R&B/Hip-Hop Albums (Billboard) [4] | 45 |
The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band, with 12 number-one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African-American R&B and soul musicians to find mainstream success. Billboard ranked the Supremes as the 16th greatest Hot 100 artist of all time.
"Someday We'll Be Together" is a song written by Johnny Bristol, Jackey Beavers, and Harvey Fuqua. It was the last of twelve American number-one pop singles for Diana Ross & the Supremes on the Motown label. Although it was released as the final Supremes song featuring Diana Ross, who left the group for a solo career in January 1970, it was recorded as Ross' first solo single and Supremes members Mary Wilson and Cindy Birdsong do not sing on the recording. Both appear on the B-side, "He's My Sunny Boy".
Farewell is a 1970 live album by Diana Ross & the Supremes. The album was recorded over the course of the group's final engagement together at the New Frontier Hotel and Casino in Las Vegas, Nevada, including the final night on January 14, 1970. The show marked Diana Ross' penultimate performance with fellow Supremes members Mary Wilson and Cindy Birdsong. At the conclusion of the show, new Supremes lead singer Jean Terrell was brought onstage and introduced to the audience.
Lady Sings the Blues is the soundtrack to the Billie Holiday biopic of the same name, which starred Diana Ross in her 1972 screen debut. It became Ross' first #1 album, though the only one as a solo artist. It was certified gold in the UK for sales of over 100,000 copies. It was the fourth best-selling R&B album and fifth best-selling Pop album of 1973 in the US.
Diana Ross is the debut solo studio album by American singer Diana Ross, released on June 19, 1970 by Motown Records. The ultimate test to see if the former Supremes frontwoman could make it as a solo act, the album was overseen by the songwriting-producing team of Nickolas Ashford & Valerie Simpson, who had Ross re-record several of the songs the duo had recorded on other Motown acts. Johnny Bristol, producer of her final single with The Supremes, contributed on The Velvelettes cover "These Things Will Keep Me Loving You."
Let The Sunshine In is the sixteenth studio album by Diana Ross & the Supremes recorded and released by Motown in 1969. It contains the hit single "I'm Livin' in Shame", "The Composer," a Smokey Robinson composition that peaked at number 27, and "No Matter What Sign You Are," - a single produced by Motown chief Berry Gordy that failed to crack to Top 30. Motown had titled the album “No Matter What Sign You Are” originally; going as far as creating the front cover art with the title in it, but when the single didn’t chart as expected the album was retitled “Let The Sunshine In.” Though the album was released when the group consisted of Diana Ross, Mary Wilson and Cindy Birdsong, original founding member Florence Ballard appears on two songs.
Where Did Our Love Go is the second studio album by Motown singing group the Supremes, released in 1964. The album includes several of the group's singles and B-sides from 1963 and 1964. Included are the group's first Billboard Pop Singles number-one hits, "Where Did Our Love Go", "Baby Love", and "Come See About Me", as well as their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes", and the singles "A Breathtaking Guy" and "Run, Run, Run".
"People" is a song composed by Jule Styne with lyrics by Bob Merrill for the 1964 Broadway musical Funny Girl starring Barbra Streisand, who introduced the song. The song was released as a single in 1964 with "I Am Woman", a solo version of "You Are Woman, I Am Man", also from Funny Girl.
The Supremes Sing Holland–Dozier–Holland is the tenth studio album released by The Supremes for Motown in 1967. It includes the number-one hit singles "You Keep Me Hangin' On" and "Love Is Here and Now You're Gone". As the title states: all songs on the album were written and produced by Motown's main songwriting team of Holland–Dozier–Holland. Most of the album was recorded during the spring and summer of 1966; however several songs date back to the summer of 1964.
Cream of the Crop is the eighteenth studio album released by Diana Ross & the Supremes for the Motown label. It was the final regular Supremes studio album to feature lead singer Diana Ross. The album was released in November 1969, after the release and rising success of the hit single "Someday We'll Be Together."
The Supremes Sing Country, Western & Pop is the fourth studio album recorded by the Supremes, issued by Motown in February 1965. The album was presented as a covers/tribute album of country songs, as Ray Charles had done with his album Modern Sounds in Country and Western Music. However, over half of the selections on The Supremes Sing Country, Western & Pop were written in-house by Motown staffer Clarence Paul. One of the songs on the album is "My Heart Can't Take It No More", which the Supremes had recorded in 1962 and released in 1963 as a single.
The Supremes at the Copa is a live album by Motown singing group the Supremes, recorded during their debut engagement at the prestigious Copacabana nightclub in New York City. Released in the late fall of 1965, At the Copa was the first live album issued by the Supremes, and the only live album issued by the group's best-known lineup of Diana Ross, Florence Ballard and Mary Wilson.
Merry Christmas is the seventh studio album recorded by Motown girl group The Supremes, and released on Motown Records in November 1965. The LP, produced by Harvey Fuqua, includes recordings of familiar Christmas songs such as "White Christmas", "Santa Claus Is Coming to Town", "My Favorite Things", and "Joy to the World". Two originals, "Children's Christmas Song" and "Twinkle Twinkle Little Me", were issued as a single. Neither Wilson nor Ballard sing on the original 1965 release of "Merry Christmas". They were too tired from their appearance at the Copacabana, so the Andantes were used instead.
The Supremes Sing Rodgers & Hart is the eleventh studio album released by The Supremes for Motown in 1967. The album is wholly composed of covers of show tunes written by the songwriting duo of Richard Rodgers and Lorenz Hart. The album was the final album released before The Supremes' name was changed to "Diana Ross & the Supremes," and member Florence Ballard was replaced by Cindy Birdsong.
An Evening with Diana Ross is a 1977 live double album released by American singer Diana Ross on the Motown label. It was recorded live at the Ahmanson Theatre in Los Angeles in December 1976 during the international tour of Ross' one-woman show, for which she was awarded a special Tony Award after the show's run at Broadway's Palace Theater, followed by an Emmy-nominated TV special of the same name. It marked the first time in history a solo female headlined a 90-minute TV special. The album reached #29 in the USA . The album showcased her live performances for the second time as a solo performer, following 1974's Live At Caesars Palace. It was the last live album Ross released until 1989's Greatest Hits Live.
Blue, originally titled The Blue Album, is a studio album by American singer Diana Ross. Initially recorded between late 1971 and early 1972, it was released as Ross' twenty-third studio album by Motown Records on June 20, 2006. Overseen by Ross' musical director Gil Askey, the jazz-flavoured album was originally conceived as a follow-up to her soundtrack to the 1972 American biographical drama film Lady Sings the Blues in which Ross starred. Berry Gordy and Motown subsequently decided to shelve the album, and Ross' next release was the more pop-oriented Touch Me in the Morning (1973) album.
Anthology, also known as Anthology: The Best of Diana Ross and the Supremes, first released in May 1974, is a series of same or similarly titled compilation albums by The Supremes. Motown released revised versions in 1986, 1995 and 2001. In its initial version, a 35-track triple record collection of hits and rare material, the album charted at No. 24 on Billboard's "Black Albums" and No. 66 on "Pop Albums".
Live at Caesars Palace is a live album by the American singer Diana Ross, released in 1974. It was recorded during a 1973 performance at Las Vegas' Caesars Palace. It was the first of two live albums Ross recorded for Motown. It reached No. 64 in the USA.
Gilbert Askey was an American jazz trumpeter, composer, producer and musical director who was born in Austin, Texas, and emigrated to Australia in 1988.
Funny Girl is the soundtrack album to the 1968 musical film of the same name, performed by its star Barbra Streisand. Released on the vinyl album format in stereo in 1968, the soundtrack was subsequently released in quadraphonic sound vinyl, cassette, and compact disc. The titles "Second Hand Rose" and "Exit Music" are omitted from the commercially released soundtrack editions. The soundtrack is featured in "Billboard Greatest albums of all time"., National Public Radio's "The Greatest Albums Made By Women"